\n\n\n--> [**CV**](https://romanadelnegro.kleio.com/record/text/32) \n\n--> [Instagram](https://www.instagram.com/romanadelnegro/)","Del Negro","Romana","kleio:record_93491da0-561f-4b30-880a-f429b003ce18",{"@id":225,"@score":179,"@type":207,"kleio:cover_asset":227,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":228,"kleio:user_record_id":230,"kleioapi:in_set":231,"kleioapi:in_space":232,"kleioapi:is_actor":6,"kleioapi:main_date__date":233,"kleioapi:main_date__date__lower":234,"kleioapi:main_date__date__upper":235,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":236,"rdfs:label__de":236,"schema:description":237,"schema:description__de":237,"schema:keywords":238,"schema:title":240,"schema:title__de":240,"threems:relatesTo":207,"threems:searchVia_index":176},"kleio:asset_9cdff668-d117-41da-8776-119a13f81aa9",[229],"kleio:tag_type_exhibition",313,[41],[25],"2023-11-09/2023-11-14","2023-11-09","2023-11-14","Lokal-int, Biel/Bienne, 2023 (Solo) ","[](https://)https://lokal-int.ch\nFoto 1 - 4: Tom Bisig\n\n\n\n",[239],"kleio:tag_8c9e22b8-b6ac-4efc-a79f-59651e47cce2","Ikarus, Lokal-int, Biel/Bienne","kleio:record_279632",{"@id":241,"@score":179,"@type":207,"kleio:cover_asset":243,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":244,"kleio:user_record_id":245,"kleioapi:in_set":246,"kleioapi:in_space":247,"kleioapi:is_actor":6,"kleioapi:main_date__date":248,"kleioapi:main_date__date__lower":249,"kleioapi:main_date__date__upper":250,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":251,"rdfs:label__de":251,"schema:description":252,"schema:description__de":252,"schema:keywords":253,"schema:title":255,"schema:title__de":255,"threems:relatesTo":207,"threems:searchVia_index":179},"kleio:asset_581d4fa4-15d3-4d4f-bbcf-7422587b29b1",[229],259,[41],[25],"2022-10-29/2022-12-18","2022-10-29","2022-12-18","Kunsthalle Luzern, 2022 ","https://kunsthalle-luzern.ch/ueber-den-bleistift-hinaus-dessin-zeichnung-in-der-zentralschweiz.html\nFoto: Kilian Bannwart",[254],"kleio:tag_content_15290","Über den Bleistift hinaus, Kunsthalle Luzern","kleio:record_269435",{"@id":256,"@score":179,"@type":207,"kleio:cover_asset":258,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":259,"kleio:user_record_id":260,"kleioapi:in_set":261,"kleioapi:in_space":262,"kleioapi:is_actor":6,"kleioapi:main_date__date":263,"kleioapi:main_date__date__lower":264,"kleioapi:main_date__date__upper":265,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":266,"rdfs:label__de":266,"schema:description":267,"schema:description__de":267,"schema:keywords":268,"schema:title":270,"schema:title__de":270,"threems:relatesTo":207,"threems:searchVia_index":193},"kleio:asset_ec156f68-3eb7-490c-992c-e64c66bb0d20",[229],45,[41],[25],"2021-12-05/2022-01-16","2021-12-05","2022-01-16","Kunsthaus Pasquart, Biel/Bienne, 2021 ","Die von Romana Del Negro (*1968) aufgetragenen Pigmente alternieren zwischen Flächen in kräftigen, satten Farben und der Leichtigkeit und Transparenz anderer Formen. Diese aus der Materie selbst hervorgehenden Lichtspiele scheinen das Werk von innen auszuleuchten und fordern den Blick auf, von einer Linie zur nächsten zu schweifen. Auch wenn die von diesen geometrischen Elementen ausgehende Dynamik scheinbar dem Zufall geschuldet sein mag, so lässt sich die Struktur, die Del Negro aufbaut, doch an der wechselnden Sättigung der Pigmente ablesen, die bisweilen sogar ganz fehlen. Ein chaotisches und doch geordnetes Universum: Handelt es sich um eine Innenschau oder um die Darstellung einer äusseren Umgebung? Einen Moment lang nimmt einen die Bewegung mit und bieten die Farben eine Interpretationstiefe, die unerwartete Räume vermuten lässt. (JC)",[269],"kleio:tag_content_12164","Cantonale Berne Jura, Kunsthaus Pasquart","kleio:record_269039",{"@id":271,"@score":179,"@type":207,"kleio:cover_asset":273,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":274,"kleio:user_record_id":275,"kleioapi:in_set":276,"kleioapi:in_space":277,"kleioapi:is_actor":6,"kleioapi:main_date__date":278,"kleioapi:main_date__date__lower":279,"kleioapi:main_date__date__upper":280,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":281,"rdfs:label__de":281,"schema:description":282,"schema:description__de":282,"schema:keywords":283,"schema:title":284,"schema:title__de":284,"threems:relatesTo":207,"threems:searchVia_index":192},"kleio:asset_7d6c39b8-4d55-404b-8987-17156aece07d",[229],35,[41],[25],"2021-03-27/2021-05-02","2021-03-27","2021-05-02","Vebikus Kunsthalle, Schaffhausen, 2021 (Solo)","Saaltext:\nDen Raum zerschneiden und gleichzeitig neue Räume schaffen. Dies ist bezeichnend in den Bildern von Romana Del Negro und vielleicht das Leitmotiv ihrer Arbeiten und ihrer Arbeit. Die von Linien durchzogenen Blätter erzeugen eine Art von Prismen, welche mit farbigem Pigment koloriert sind, manchmal dicht und undurchlässig, manchmal leicht schimmernd und Licht durchlässig. Dabei entfalten sich in diesem, auf den ersten Blick wirren Durcheinander, unerwartete Tiefen und dynamische Lichtspiele, die den Arbeiten viel Raum und gleichzeitig Reflexionspotential geben. Ein Raum, der intuitiv komponiert ist, aber dem Zufall nichts überlässt. Was als Anarchie der Formen und Farben wirkt, besitzt Struktur und Ordnung. Romana Del Negro verbindet bewusst diese Seiten miteinander, womit sie auf frühere Arbeiten und Installationen zurückgreift, in welchen sie Nylonfäden von einer Wand auf die Andere spannte und somit dem Betrachter ein neues Raumgefühl abverlangte. Dieses neue Raumgefühl wird in den aktuellen Arbeiten zweidimensional auf Papier gebannt und mit Farbpigmenten in unerwartete, raumgreifende Dimensionen übertragen. Eine herausfordernde künstlerische Aufgabe.\n\nDiese Arbeiten von Romana Del Negro brauchen einen Umgebungs-Raum, der in sich ruht, der genügend Höhe hat und der Betrachterin genügend Abstand zum Werk erlaubt. Trotz dem randabfallenden Bildaufbau sind die Arbeiten in sich abgeschlossen, sie verlangen nach einem Bild-Rahmen. Und doch schreiben sie sich in den Raum ein und geben ihm eine fremdartige Lebendigkeit. Ferne Erinnerungen an farbige Kirchenfester werden wach und ein Hauch von Futurismus schwingt mit; Stimmungen und Visionen aus der ersten Hälfte des 20 Jahrhunderts ziehen vor dem geistigen Auge vorbei. Ein undefinierbares Licht scheint die Bildfläche von hinten matt zu durchringen und bettet die gezackten Formen über pigmentfreie Zonen in ein von diesem Licht getragenes Netz ein. Die Pigmente sind in das Papier eingerieben, verschmelzen mit ihm. Es ist ein zeichnerisches Prinzip, keine Malerei, keine Komposition im klassischen Sinne, sondern ein Herausschälen der Lichtflächen.\n\nDie Werke suchen rücksichtsvoll aber mit grosser Bestimmtheit die BetrachterInnen in eine vielleicht fremde Welt mit zu nehmen. Ist diese Welt im Innersten aus kristallenen Formen aufgebaut? Sind die Bilder von Romana Del Negro Abbild oder Vision? Schauen wir nach Innen oder nach Aussen? Ist es Kosmos, Einsicht, Erkenntnis oder Dekoration? Wie auch immer man die Antworten dreht und formuliert, diese Arbeiten von Romana Del Negro lassen uns im Ungewissen und sind auf eine wunderbare Art unbequem. Sie biedern sich keiner aktuellen Ästhetik an, gehen eigene Wege, sind im Sinne des Wortes eigenwillig. Sie drängen ihre Logik der BetrachterIn nur kurz auf, um sich im nächsten Augenblick feinfühlig in den Raum einzufügen.\n\nDie Räume der Kunsthalle Vebikus sind ein Glücksfall für die Arbeiten von Romana Del Negro. Der hohe Hauptraum nimmt die Hochformate ganz natürlich in sich auf und gibt ihnen den benötigten Platz. Die Fenster mit ihren Unterteilungen in Vier- und Rechtecke werden zum ruhenden Gegenpol; sie sind wie das Alter-Ego dieser Arbeiten von Romana Del Negro. Gleiches gilt für die tragende Struktur des Raumes mit den gusseisernen Stützen und den Metallträgern, Reminiszenzen einer vergangenen Industriekultur. Sie sind die perfekte Bühne für diese Arbeiten, deren ästhetische Wurzeln in der Vergangenheit sind und unaufgeregt die Zeit überdauern. *Thomas Schmutz* \n\n\u003Cins>Foto:\u003C/ins> Tom Bisig\n\nhttps://www.vebikus-kunsthalle-schaffhausen.ch/ausstellung-1-2021/\n\n",[269],"Pigmentzeichnungen, Vebikus Kunsthalle, Schaffhausen","kleio:record_4e510952-a18c-4e31-816f-9482c47b1253",{"@id":285,"@score":179,"@type":207,"dc:creator":287,"kleio:cover_asset":288,"kleio:default":6,"kleio:record_owner":60,"kleio:status_tags":289,"kleio:type_tags":291,"kleio:user_record_id":292,"kleioapi:creator__labels":66,"kleioapi:creator__labels__de":66,"kleioapi:in_set":293,"kleioapi:in_space":294,"kleioapi:is_actor":6,"kleioapi:main_date__date":295,"kleioapi:main_date__date__lower":296,"kleioapi:main_date__date__upper":297,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":298,"rdfs:label__de":298,"schema:description":299,"schema:description__de":299,"schema:keywords":300,"schema:title":302,"schema:title__de":302,"threems:relatesTo":207,"threems:searchVia_index":178},[182],"kleio:asset_d6a828b7-4e4a-4a56-a701-32522896b2f0",[290],"kleio:tag_270376_status",[229],348,[41],[25],"2019-12-08/2020-01-19","2019-12-08","2020-01-19","Kunsthaus Pasquart, Biel/Bienne, 2019 ","Auf der ganzen länge der Vitrine im Kunsthaus Pasquart sind farbige Wachselemente sowohl in und auf der Vitrine ausgelegt. Die oberen und unteren Elemente überlagern sich teilweise und lassen die transluziden Gebilde zwischen Komposition und Variation oszilllieren.\n\nhttps://www.pasquart.ch/event/cantonale-berne-jura-2019/",[301],"kleio:tag_content_8991","Cantonale Berne Jura, Kunsthaus Pasquart","kleio:record_d54a8a94-2ba6-44e8-8864-31c813483b7b",{"@id":303,"@score":179,"@type":207,"dc:creator":305,"kleio:cover_asset":306,"kleio:default":6,"kleio:record_owner":60,"kleio:status_tags":307,"kleio:type_tags":308,"kleio:user_record_id":309,"kleioapi:creator__labels":66,"kleioapi:creator__labels__de":66,"kleioapi:in_set":310,"kleioapi:in_space":311,"kleioapi:is_actor":6,"kleioapi:main_date__date":312,"kleioapi:main_date__date__lower":313,"kleioapi:main_date__date__upper":314,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":315,"rdfs:label__de":315,"schema:description":316,"schema:description__de":316,"schema:keywords":317,"schema:title":318,"schema:title__de":318,"threems:relatesTo":207,"threems:searchVia_index":319},[182],"kleio:asset_910377e5-abfe-48d2-ace9-8bdf7fc361d1",[290],[229],349,[41],[25],"2019-09-14/2019-12-14","2019-09-14","2019-12-14","Kammgarn West, Schaffhausen, 2019 ","https://www.kammgarn-west.ch/ausstellungen/vergangene-ausstellungen/\n\n",[301],"Kunst an der Grenze, Kammgarn West, Schaffhausen",5,"kleio:record_7d881dc3-677e-4661-9440-e00f9c7cbda3",{"@id":320,"@score":179,"@type":207,"dc:creator":322,"kleio:cover_asset":323,"kleio:default":6,"kleio:record_owner":60,"kleio:status_tags":324,"kleio:type_tags":325,"kleio:user_record_id":326,"kleioapi:creator__labels":66,"kleioapi:creator__labels__de":66,"kleioapi:in_set":327,"kleioapi:in_space":328,"kleioapi:is_actor":6,"kleioapi:main_date__date":329,"kleioapi:main_date__date__lower":330,"kleioapi:main_date__date__upper":331,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":332,"rdfs:label__de":332,"schema:keywords":333,"schema:title":334,"schema:title__de":334,"threems:relatesTo":207,"threems:searchVia_index":335},[182],"kleio:asset_05a552de-8f06-46dc-9d35-5461c1c6b96c",[290],[229],490,[41],[25],"2019-01-18/2019-02-23","2019-01-18","2019-02-23","knoerle & baettig contemporary, Winterthur, 2019",[301],"It aint much i`m asking, if you want the truth, knoerle & baettig contemporary, Winterthur, 2019",6,"kleio:record_6a38f0e0-c9be-4952-8b81-658f906928ca",{"@id":336,"@score":179,"@type":207,"dc:creator":338,"kleio:cover_asset":339,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":340,"kleio:user_record_id":341,"kleioapi:creator__labels":66,"kleioapi:creator__labels__de":66,"kleioapi:in_set":342,"kleioapi:in_space":343,"kleioapi:is_actor":6,"kleioapi:main_date__date":344,"kleioapi:main_date__date__lower":345,"kleioapi:main_date__date__upper":346,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":347,"rdfs:label__de":347,"schema:description":348,"schema:description__de":348,"schema:keywords":349,"schema:title":351,"schema:title__de":351,"threems:relatesTo":207,"threems:searchVia_index":352},[182],"kleio:asset_ea85644f-dde2-455a-8243-9c1fa791cbc7",[229],350,[41],[25],"2018-06-15/2019-06-19","2018-06-15","2019-06-19","Kunsthaus Pasquart, Biel/Bienne, 2018","(https://www.pasquart.ch/event/diplomausstellung-ma-cap-2/)\nFoto: Tom Bisig\n",[350],"kleio:tag_content_7749","ANEW, Kunsthaus 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Bern",9,"kleio:record_0458aa72-dd56-4438-93aa-68f8bb4f9e41",{"@id":385,"@score":179,"@type":207,"kleio:cover_asset":387,"kleio:default":6,"kleio:record_owner":60,"kleio:type_tags":388,"kleio:user_record_id":389,"kleioapi:in_set":390,"kleioapi:in_space":391,"kleioapi:is_actor":6,"kleioapi:main_date__date":392,"kleioapi:main_date__date__lower":393,"kleioapi:main_date__date__upper":394,"kleioapi:owner_default_space__label":66,"kleioapi:owner_default_space__label__de":66,"kleioapi:owner_default_space__label__en":66,"kleioapi:owner_default_space__label__fr":66,"kleioapi:public":6,"rdfs:label":395,"rdfs:label__de":395,"schema:description":396,"schema:description__de":396,"schema:keywords":397,"schema:title":399,"schema:title__de":399,"threems:relatesTo":207,"threems:searchVia_index":400},"kleio:asset_f0fde79e-b314-4a52-9a86-23512145681c",[229],341,[41],[25],"2016-12-10/2017-01-22","2016-12-10","2017-01-22","Kunstmuseum Thun, 2016 ","https://kunstmuseumthun.ch/de/ausstellung/cantonale-berne-jura-wie-tag-und-nacht/",[398],"kleio:tag_4e7ae409-69ae-4249-86e5-c3f73aeebf05","Cantonale Berne Jura, Kunstmuseum 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","https://www.kmw.ch",[414],"kleio:tag_content_2889","Dezemberausstellung, Kunstmuseum 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Architektur, Brugg, 2014 (Solo)","«Romana Del Negros Installation mit dem Namen \"Brutkasten\" stellt nichts dar − alles gibt sich als das zu erkennen, was es ist: durchsichtige Schläuche und Silk, zerknülltes Paraffinpapier (wie man es braucht, um Fleisch einzuwickeln) und Tüll. Ein schimmerndes Knäuel in einem warmen Lichtraum. Aber gleichzeitig entwickelt der warme Leuchtkörper, der die kalte, dunkle Jahreszeit so schön erhellt, aus der Nähe betrachtet gespenstische Züge – ein Brutkasten, dessen Wärme nicht nur Wohlbefinden erzeugt.Spielt diese Ambivalenz im Dämmerlicht, so zeigt sich tagsüber wieder ein anderes Bild: zurückhaltend und kühler. Im Sonnenlicht schimmert das Knäuel im Spiel zwischen Transparenz und Glanz, umhülltem und freiem Raum. Und es ist gerade diese Mehrdeutigkeit, dieser doppelte Boden, der dazu führt, dass man im Vorbeigehen immer wieder neue Aspekte entdeckt − und auch immer wieder innehält. Ein Geheimnis bleibt zurück und auch die Vorfreude, ihm ein halbes Jahr auf den Grund zu gehen.» *Cornelia Bauer*\n\nhttps://www.metron.ch/engagement/brutkasten-2/",[433],"kleio:tag_content_2993","Brutkasten, Metron Architektur, 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Art Etage, Biel/Bienne, 2009 (Solo)","Rauminstallation HAIF und Zeichnungen 2009\nhttps://www.art-etage.ch/de/archiv/art-etage-2009\n\n\n\n",[499],"kleio:tag_content_3031","Galerie Art Etage, 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+ Pult, Zürich, 2009",[499],"All In One, Kenworthy-Ball/Lange + Pult, 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09 Zürich, Förderstand ZKB-Kunstpreis, Galerie Kenworthy-Ball- Lange + Pult (Solo)","Polaritäten\nRaumfüllende, installative Werke ebenso wie feingliedrige, fast fragil wirkende Zeichnungen charakterisieren das Oeuvre der 1968 in Oberstammheim bei Zürich geborenen Schweizer Künstlerin Romana Del Negro. \nDurch stilistische und inhaltliche Polaritäten bestechend oszillieren Del Negros Werke zwischen Ordnung und Chaos, Natur und Architekturdarstellung, Komposition und Variation, zwischen der Betrachtung des Werkes als Ganzem und seinen immer auch autonom wirkenden Details – eine Kunst der Gegensätzlichkeiten, die sowohl ein Gefühl von Vitalität und Dynamik als auch von Zerlegung und Zerstückelung zulässt: Zarte Linien formen sich zu organischen Gebilden und Strukturen, formen sich durch dynamische Komposition zu einem einheitlichen Ganzen und bleiben dennoch in ihre Einzelteile differenziert. Mit Tusche, Bleistift und Kreide, Kohle, Pastell und Farbstift ebenso wie mit Radiergummi, mit dem die Künstlerin diametrale Strukturen in die labilen Gerüste und tektonischen Geflechte zieht, werden Gegensätze der dynamischen Zeichnungen veranschaulicht. \nMehr als nur mit Linie formen bedeutet für Romana Del Negro Zeichnung: Suchen und Beobachten, Agieren und Reagieren, Spurenlegen und -verwischen evozieren Bestimmtheit ebenso wie Unbestimmtheit und machen das Werk der Künstlerin geheimnisvoll und spannen.\n *Judith Ribbentrop*\n\nhttps://www.presseportal.ch/de/pm/100000022/100593586",[499],"Kunst 09 Zürich, Förderstand ZKB-Kunstpreis, Galerie Kenworthy-Ball- Lange + 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Archivarte, Bern, 2008","https://www.frauenkunstpreis.ch/sylvia-hostettler.html",[551],"Frauenkunstpreis (Shortlist), Galerie Archivarte, 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Pasquart, Biel/Bienne, 2007 ","https://www.pasquart.ch/event/weihnachtsausstellung-des-kunstvereins-biel/\n",[585],"kleio:tag_content_3327","Weihnachtsausstellung, Kunsthaus Pasquart, 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Jurassien des Arts, Moutier, 2006 (Solo)","Raumgreifende Wandinstallation SOK und Diaprojektion INJAWA SCHODAU\n\n«Romana Del Negro hat den grossen Ausstellungsraum des Musée jurassien des Arts von Moutier in eine seltsame, von dynamischen Gestalten bevölkerte Welt verwandelt. Die Künstlerin hat eine immense Wandinstallation geschaffen – eine an die Wand geheftete Riesenzeichnung aus Papier und farbigem PVC, die sich den Wänden des Saals entlang zieht und bis zur Decke reicht. Das Werk mit dem Titel SOK bezieht den Besucher in eine packende Welt mit ein.\nRomana Del Negro lädt uns ein, in eine imaginäre Welt mit einer ungewöhnlichen Kartographie einzutreten. Die Künstlerin (...) schafft frei farbige Strukturen, die untereinander durch einen verschiedenen Rhythmen folgenden Fluss verbunden sind. Ihre Strukturen scheinen sich zu beleben, zu atmen, sich zu wandeln. Man mag dabei an den inneren Mikrokosmos des Menschen oder auch den Makrokosmos der Unterwasserwelt denken. Doch gleichzeitig erscheinen sie uns auch wie phantastische, imaginäre Wesen. Ihre eigentümliche Gestaltung, der Energiefluss, der sie verbindet, löst einen Schock aus, der sowohl ein Gefühl von Brutalität – das Zerlegen, die medizinische Zerstückelung des Körpers –, als auch von Vitalität – die Dynamik des Lebens – heraufbeschwört. Der Titel des Werks, SOK, strotzt vor Kraft. Ein von Romana Del Negro für seinen prägnanten Klang erfundenes Phantasiewort, lässt er, genau wie ihre Bilder, dem Betrachter die Freiheit, seine Vorstellungskraft zu entfalten.» *Valentine Reymond*\n\nhttps://www.musee-moutier.ch\nFoto: Heinz Dahinden",[603],"kleio:tag_content_2839","SOK, Musée Jurassien des Arts, 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